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The most straightforward inference would be that this vowel was simply /a/ or something fo the kind.And when the vowel of SERVE was allophonically lowered into the neighborhood of AE, it tended to near-merger with /a/ when and where the latter in its turn began to shift higher.So in all the syllabes where a consonant followeth the L, as in salt, malt, balm, calm.

Although Shakespeare was the stimulus for current interest in OP, the notion is much broader.The merger cannot have complete in normative London English until the 18th century or so.Shakespeare interrhymes all three of these, but not with the same frequency with which he rhymes these words inside their own lexical set.This was so successful that the following year the Globe mounted a production of Troilus and Cressida in OP.